Directed by Theo Panagopoulos (2024), The Flowers Stand Silently, Witnessing reclaims archival footage to reflect on land, memory, and representation. This short film recontextualizes archival botanical footage shot in Palestine found by Palestinian filmmaker based in Scotland. What first appears as neutral nature documentation reveals deeper issues between image-making, territory, and colonial gaze.

This film is shown as a double feature with Ai Wei Wei Never Sorry.